And from the south entrance, or from the windows of the newly installed Ancient America gallery, the oceanic effect is in full play. At ground level, behind glass on the new East Wing concourse, it suggests a dense series of mysterious passageways. Inside, it’s cool and echoey, with the feeling of a Southwestern red-rock wash. The sculpture’s appearance changes profoundly as one’s viewing angle changes. (It’s been around since the 1900s, at one time supplying much of the stone for St. So stone was cut and brought in from a quarry operated by Earthworks in Perryville, 70 miles outside the city. He originally wanted to use limestone excavated during construction of the museum’s underground parking lot, but it proved to be too fractured. Goldsworthy worked as many arches as possible into the space, to evoke the movement of waves. Louis, but also to the prehistoric ocean that covered the Midwest millions of years ago. I think that this idea that the stone is somehow behaved and lying there is not entirely true.”Īnd so Stone Sea alludes not just to the limestone deposits under St. Whilst we think of stone as just lying there, calm and quiet, St. “The arch has the form that articulated that. “I’ve always been interested in seeing stone as something that’s not something static or dead, but something moving,” he says. “Whilst I love and feed off those things that collapse very quickly and change-that is like the nourishment for my work as an artist-that doesn’t mean that a work like this isn’t about change also,” he says of Stone Sea, a series of 25 arches, each 10 feet tall and made with 13,000 pounds of Missouri limestone, which he finished installing in the sunken courtyard between the Saint Louis Art Museum’s main building and its new East Wing this past November. Then he photographs his work, leaving it to be disassembled by weather and time. He sculpts in nature, using materials at hand-twigs, stones, iris leaves, snow. Noted British artist Andy Goldsworthy is best known for his ephemeral work: A starburst of icicles, glued together with saliva a boulder wrapped in poppy petals a spiral made of polished leaves, tacked to the forest floor with thorns.
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